EUROSCRIPT.CO.UK
  • HOME
  • PRICES
  • FEEDBACK
    • 1-2-1 COACHING
    • SCRIPT DEVELOPMENT WORKSHOPS
    • MEET THE SUNDAY SCRIPT DOCTOR
    • 1-2-1 PITCH CLINIC
    • 1-2-1 GET PRODUCED
    • OTHER LANGUAGES FEEDBACK >
      • FRENCH
      • HUNGARIAN
      • SPANISH
      • INDIAN & CHINESE
  • CLASSES
    • HOW TO CLAIM THE UK TAX CREDIT
    • HOW TO WRITE THE ROMANCE-DRAMA SCREENPLAY
    • THE ABSOLUTE BEGINNER'S GUIDE
    • COMEDY WRITERS ROOM
    • WRITE THAT SCRIPT! - PART ONE
    • WRITE YOUR FILM OR TV TREATMENT!
    • WRITE YOUR SHORT FILM SCRIPT!
    • Write a Web Series
  • VOUCHERS
  • RESOURCES
    • SCREENWRITING FAQS
    • HOW TO WRITE A WINNING TREATMENT
    • ONLINE CLASSROOM
    • SCREENWRITING ARTICLES
    • SCRIPT FORMATS AND FREE DOWNLOADS
    • DEVELOPING YOUR SCREENWRITING CAREER
    • SCREENWRITING LINKS
  • COMPETITION
    • ENTER HERE
    • WINNERS 2022
    • INTERVIEW WITH A WINNER
    • PREVIOUS WINNERS
  • ABOUT
    • OUR TEAM
    • DISCOUNT INFO
    • OUR PARTNERS
    • PR & SUCCESS STORIES
    • JOIN OUR MAILING LIST
    • TERMS & CONDITIONS
    • PRIVACY POLICY
    • CONTACT US
  • BLOG
  • HOME
Picture

WRITE YOUR FILM OR TV TREATMENT! 


LAY DOWN THE TRACKS OF YOUR NEXT SCRIPT

Why is it that writers or their stories often hit a brick wall halfway through their script?

One of the main reasons is that they haven’t written a film or TV treatment first to lay down the tracks, therefore they are more likely than not to box themselves into a corner. The process of writing a treatment helps screenwriters lay out a solid foundation for their screenplay and save valuable time in the writing and rewriting process.

This hands-on workshop gives you the opportunity to map out your plot and develop your characters and theme before you start writing the actual script.

​WRITE YOUR FILM OR TV TREATMENT! is perfect for those who are exploring a brand new story or feel an existing script needs re-designing from the ground up.
​
By the end of this workshop, you will have a fully developed 4-page treatment and a solid logline for your screenplay.

This workshop has limited seats (up to 8 writers).

During each class, the writers receive 20 minutes of feedback from three peers and the tutor.

Before they join the course writers should have an idea for a feature film or TV pilot episode ready to be developed into a 4-page treatment.


Who should take this workshop?

  • Writers and writer-directors who would like to develop a brand new idea.
  • Writers and writer-directors who feel that their existing script would benefit from a complete re-imagining.
  • New or experienced writers who seek the support of like-minded creatives to develop their characters and stories in a workshop environment.

The course is workshop-oriented. You will be expected to read three of the students’ work per week in order to give them notes in the class. In turn, you will benefit from the feedback and support of the tutor and three of your peers that will allow you to develop your treatment in-between each session.

Course handouts on craft issues supplement the workshop.


SYLLABUS 

WEEK 1 - Ease into your story.

During the first session, you will pitch your story and write your logline. In class, we will explore:

  • Your logline to make sure the key structural components are in place.
  • The genre of your story.
  • How your film begins.
  • The climax and resolution.
  • Film vs TV & TV show bibles 

WEEK 2 – Breaking the story

In this class, you will bring the rewritten logline and a 1-page treatment you wrote following session 1. In class, we will explore how to:
  • Structure your plot.
  • Film vs TV structure
  • Heighten key narrative beats.
  • Choose visually exciting settings.
  • Play with the genre and conventions of screenwriting.

WEEK 3 – Develop your characters

Following Week 2, you turn your 1-page treatment into a 2-page treatment. During this session, you workshop your two-page treatment and look into how to:

  • Firm up the foundations of your script and identify any weak points.
  • Strengthen the mid-point.
  • Ensure your protagonist remains proactive.
  • Make sure your protagonist has an arc.

WEEK 4 – The 4-page treatment

Following Week 3, you turn your 2-page treatment into a 4-page treatment. During this session, you zero in on:

  • Subplots.
  • Set-ups and pay-offs.
  • Secondary characters, who is necessary, who isn’t.
  • Arcs of the secondary characters.

WEEK 5 – Smooth sailing from here on in.

You submit an updated 4-page treatment for the final class. Before you begin writing the script, you will be looking into:

  • How your story may have changed thematically.
  • Next steps: longer treatments, beat sheets, and step-outlines.
  • Commercial treatments vs. development treatments.
  • Expressing your voice in a treatment: tone and writing style.


By the end of the workshop, you will have:

  • A well-developed 4-page treatment ready to be turned into a feature-length or TV script.
  • A network of supportive writers.
  • Practical tools that will support the development of your script and improve your screenwriting craft and writing habits.

PRICES
STANDARD: £275
ADD TO CART £275

CONCESSION: £247
ADD TO CART £247
*We offer the concessionary rate to all Concessions as well as to members of these affiliated organisations.  If you are a member of one of these organisations, please book at the concessionary rate and show your membership card to the course tutor at registration.

DATES & TIME

ONLINE 5 x 3-hour Thursday evening workshops
6, 13, 20, 27 October
3 November 
7pm-10pm


(With some prep work required, in-between dates)

ONLINE PLATFORM
The sessions will be run on Zoom. All attendees will be sent the Zoom login information upon registration.

EVENT CAPACITY: 8
Please book early to avoid disappointment.


FOR FURTHER DETAILS
Email or phone:  07958 244656

Picture
ABOUT STEPHANIE

Stéphanie Joalland a London-based writer-director with her own production company Frenzy Films. She also has extensive experience developing TV series for French TV and co-created the animated version of VALERIAN for Luc Besson's EuropaCorp. She has taught screenwriting at U.A.L.’s London College of Communication, Central Film School, on the Raindance MA in Filmmaking with De Montfort University and the MSt in Writing for Performance at the University of Cambridge. Her feature film THE QUIET HOUR starring Dakota Blue Richards premiered on Sky Cinema in the UK and was released on Netflix. Her feature projects have received the support of Sofia Meetings, Film London PFM, European Genre Forum, and Frontières International co-production Market. An alumna of Berlinale Talents, she is represented by Zero Gravity Management in the U.S. as a writer-director.

Picture
Picture
Picture
Privacy Policy © Euroscript Limited 2020
  • HOME
  • PRICES
  • FEEDBACK
    • 1-2-1 COACHING
    • SCRIPT DEVELOPMENT WORKSHOPS
    • MEET THE SUNDAY SCRIPT DOCTOR
    • 1-2-1 PITCH CLINIC
    • 1-2-1 GET PRODUCED
    • OTHER LANGUAGES FEEDBACK >
      • FRENCH
      • HUNGARIAN
      • SPANISH
      • INDIAN & CHINESE
  • CLASSES
    • HOW TO CLAIM THE UK TAX CREDIT
    • HOW TO WRITE THE ROMANCE-DRAMA SCREENPLAY
    • THE ABSOLUTE BEGINNER'S GUIDE
    • COMEDY WRITERS ROOM
    • WRITE THAT SCRIPT! - PART ONE
    • WRITE YOUR FILM OR TV TREATMENT!
    • WRITE YOUR SHORT FILM SCRIPT!
    • Write a Web Series
  • VOUCHERS
  • RESOURCES
    • SCREENWRITING FAQS
    • HOW TO WRITE A WINNING TREATMENT
    • ONLINE CLASSROOM
    • SCREENWRITING ARTICLES
    • SCRIPT FORMATS AND FREE DOWNLOADS
    • DEVELOPING YOUR SCREENWRITING CAREER
    • SCREENWRITING LINKS
  • COMPETITION
    • ENTER HERE
    • WINNERS 2022
    • INTERVIEW WITH A WINNER
    • PREVIOUS WINNERS
  • ABOUT
    • OUR TEAM
    • DISCOUNT INFO
    • OUR PARTNERS
    • PR & SUCCESS STORIES
    • JOIN OUR MAILING LIST
    • TERMS & CONDITIONS
    • PRIVACY POLICY
    • CONTACT US
  • BLOG
  • HOME