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WRITE THE MICRO-BUDGET FEATURE

With the proliferation of VOD, cable and streaming outlets there are huge new windows opening for filmmakers. Buyers are hungry for exciting content and producers crave contained stories that can be produced well on a minimal budget because they're easier to finance. So a strong script for a micro-budget film is gold dust to the industry .
 
But how do take your ideas and characters and write a screenplay you know for sure can be made on a micro-budget and could attract a strong cast?
 
How do you write a contained movie which best expresses your voice as a writer and/or director?
 
How do you ensure you write a marketable micro-budget script which can earn distribution in the UK and overseas in a crowded marketplace?
 
This three-evening, hands-on course (running over three consecutive Wednesdays) will help you build solid foundations for a micro-budget film script that stands a strong chance of getting made and seen.
​
COURSE CONTENT
 
With the proliferation of VOD, cable and streaming outlets there are huge new windows opening for filmmakers. Buyers are hungry for exciting content and producers crave contained stories that can be produced well on a minimal budget because they're easier to finance. So a strong script for a micro-budget film is gold dust to the industry .

But how do take your ideas and characters and write a screenplay you know for sure can be made on a micro-budget and could attract a strong cast?

How do you write a contained movie which best expresses your voice as a writer and/or director?

How do you ensure you write a marketable micro-budget script which can earn distribution in the UK and overseas in a crowded marketplace?

This three-evening, hands-on course (running over three consecutive Wednesdays) will help you build solid foundations for a micro-budget film script that stands a strong chance of getting made and seen.



COURSE CONTENT

On Evening One, you will:
  • Review and discuss examples of micro-budget films.
  • Learn how to identify great source material and/or come up with ideas and concepts for a contained film.
  • Create a strategy for yourself. What's your brand? What's your genre?
  • Develop a keen understanding of aspects to keep in mind and what to avoid when writing a micro-budget script.
  • Turn your idea for a micro-budget film into a clear logline.

On Evening Two, you will:
  • Receive professional feedback on your idea and logline. Share feedback as a group.
  • Understand how to write a character-driven script, which is more important in the micro- budget realm when you don't have the budget for flashy VFX or action sequences.
  • Find out out how to develop your idea into an effective 1-page outline

On Evening Three, you will:
  • Receive professional feedback on your one-page outline and characters. Workshop your homework with the other students.
  • Explore ways of seeking and addressing feedback in the micro-budget context.

* You don't need to have an idea to do the course but some homework will be required in-between the three sessions so that you can make the most of the sessions.


PRICES
STANDARD: £198
ADD TO CART £198
CONCESSION: £180
ADD TO CART £180
*We offer the concessionary rate to all Concessions as well as to members of these affiliated organisations.  If you are a member of one of these organisations, please book at the concessionary rate and show your membership card to the course tutor at registration.

DATES & TIME
Thursdays Feb. 28th, March 7th and 14th.
(With some prep work required, in-between dates)
6:30pm – 9:30pm

VENUE
WeWork Holborn
3 Waterhouse Square

138 Holborn 
London EC1N 2SWE

EVENT CAPACITY: 10

FOR FURTHER DETAILS
Email or phone:  07958 244656

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ABOUT STEPHANIE


​Originally from France, Stéphanie began her career at TF1 International and Canal Plus, worked as a story editor on Emmy-nominated PET ALIENS, wrote live-action TV scripts, created a Sci-Fi animated series for Luc Besson’s EuropaCorp: VALERIAN & LAURELINE. 

In 2014, she wrote, directed and produced her first micro-budget feature film THE QUIET HOUR, a sci-fi thriller starring Dakota Blue Richards and Karl Davies. Her film premiered at Galway Film Fleadh, was nominated Best British Film at Raindance Film Festival, Best International Film at Sofia International Film Festival, won Best Film at Kansas City Film Fest, showcased at Newport Beach Festival, sold to Sky Cinema in the UK, Amazon Prime in the U.S., and was sold by LA-based international sales agent Vision Films around the world. 

She's currently producing THE LAST MOON, a low budget supernatural suspense/horror and then will follow that up by directing her contained sci-fi thriller ICE. 

Read Stephanie's article The Ten Commandments to Write a Micro-Budget Feature


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  • HOME
    • UPCOMING COURSES
  • SERVICES
    • PRICES
    • ZOOM CONSULTANCY
    • FULL REPORT
    • SHORT REPORT (BAROMETER REPORT)
    • 1-2-1 COACHING
    • MEET THE SUNDAY SCRIPT DOCTOR
    • SCRIPT DEVELOPMENT WORKSHOPS
    • 1-2-1 PITCH CLINIC
    • 1-2-1 GET PRODUCED
    • OTHER LANGUAGES FEEDBACK >
      • FRENCH
      • HUNGARIAN
      • SPANISH
      • INDIAN & CHINESE
  • CLASSES
    • ONLINE COMEDY WRITING MASTERCLASS Jan 2021
    • WRITE THAT SCRIPT! - PART ONE
    • WRITE THAT SCRIPT! - PART TWO
  • RESOURCES
    • ONLINE CLASSROOM
    • SCREENWRITING FAQS
    • SCREENWRITING ARTICLES
    • SCRIPT FORMATS AND FREE DOWNLOADS
    • DEVELOPING YOUR SCREENWRITING CAREER
    • VOUCHERS
    • SCREENWRITING LINKS
  • COMPETITION
    • 2021
    • RULES
    • WINNERS 2020 >
      • PREVIOUS WINNERS
      • INTERVIEW WITH A WINNER
    • HOW TO WRITE A WINNING TREATMENT
  • ABOUT
    • OUR TEAM
    • DISCOUNT INFO
    • OUR PARTNERS
    • PR & SUCCESS STORIES
    • JOIN OUR MAILING LIST
    • TERMS & CONDITIONS
    • PRIVACY POLICY
    • CONTACT US
    • BLOG >
      • INTERVIEW WITH STEPHEN CURRAN
  • Product