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SUMMER SCRIPT DEVELOPMENT LAB (ONLINE)

NEW ONLINE COURSE


Saturdays, 11, July 27, August, September 2pm-5pm

​A lot of writers have an idea for a feature-length script, start typing and hit a wall because it's not properly mapped out and the characters and stakes not properly set up so spending time to design your story ahead of time is the best way to ensure you actually reach FADE OUT, which is why the outlining process and clarity about Act 1 is so crucial for most writers. 

But how do you write a 4-page outline which effectively lays the tracks for your feature-length script?

How do you ensure your characters have a powerful Transformational Arc?

How do you ensure the first Act makes us want to read more?

How do you approach feedback and don't get overwhelmed by it?

This four-afternoon, hands-on course (running over four consecutive Saturdays) will help you test your ideas and effectively design your story
 before you write the whole script.


This intensive summer course is limited to SIX students only so book early to avoid disappointment.


COURSE CONTENT

On Saturday One (July 27), you will: 
  • Receive verbal feedback from Stephanie and your peers on your 1-page concept and logline (to be submitted ahead of time), get pointers that will enable you to turn your 1-page concept into a 4-page outline.
  • Get tips to develop effective character breakdowns
  • Get tips to write a better logline

On Saturday Two (August 3), you will:
  • Receive verbal feedback on your 4-page outline and character breakdown which you submit the day before the class NOON at the latest. 
  • Explore the transformational arc of your protagonist and your theme.
  • Firm up the plot


On Saturday Three (August 10), you will:
  • Receive verbal feedback on the new draft of your outline (up to 6 pages) and character breakdown which you submit the day before the class NOON at the latest.
  • Explore techniques to prepare for the writing of Act 1.


On Saturday Four (August 17), you will:
  • Submit Act 1 prior to this week's class for Stephanie to review and give verbal feedback on in this class.
  • Techniques to make your first 10 pages compelling.
  • Learn how to write visually.



REQUIREMENTS

Even if it's still embryonic you need to have an idea for a script as you'll be asked to submit a 1-page concept and logline prior to the course.

Stephanie will give each writer 15 minutes of personalised feedback on your pages (which she will have reviewed prior to the session). 

For this script development lab, you are required to read your peers' work so that you can offer constructive feedback as well and learn from the feedback received to the other writers. 

Each writer can email the tutor during the week so they receive guidance during the duration of the course.


PRICES
STANDARD: £298
ADD TO CART £298
CONCESSION: £250
ADD TO CART £250
*We offer the concessionary rate to all Concessions as well as to members of these affiliated organisations.  If you are a member of one of these organisations, please book at the concessionary rate and show your membership card to the course tutor at registration.

DATES & TIME
Sunday August 4th, 11th and 18th.
(With some prep work required, in-between dates)
2pm – 5pm (UK time)

VENUE 
Google Hangouts 

EVENT CAPACITY: 10

FOR FURTHER DETAILS
Email or phone:  07958 244656

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ABOUT STEPHANIE


​Originally from France, Stéphanie began her career at TF1 International and Canal Plus, worked as a story editor on Emmy-nominated PET ALIENS, wrote live-action TV scripts, created a Sci-Fi animated series for Luc Besson’s EuropaCorp: VALERIAN & LAURELINE. 

In 2014, she wrote, directed and produced her first micro-budget feature film THE QUIET HOUR, a sci-fi thriller starring Dakota Blue Richards and Karl Davies. Her film premiered at Galway Film Fleadh, was nominated Best British Film at Raindance Film Festival, Best International Film at Sofia International Film Festival, won Best Film at Kansas City Film Fest, showcased at Newport Beach Festival, sold to Sky Cinema in the UK, Amazon Prime in the U.S., and was sold by LA-based international sales agent Vision Films around the world. 

She's currently producing THE LAST MOON, a low budget supernatural suspense/horror, and then will follow that up by directing her contained sci-fi thriller ICE which was selected for the 2019 JETS Co-Production Initiative during Berlinale where it was voted Best UK project. 

Stéphanie also works as an academic advisor on the Raindance MA with Staffordshire University and lectures on screenwriting at University of Arts London.

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  • HOME
    • UPCOMING COURSES
  • SERVICES
    • PRICES
    • ZOOM CONSULTANCY
    • FULL REPORT
    • SHORT REPORT (BAROMETER REPORT)
    • 1-2-1 COACHING
    • MEET THE SUNDAY SCRIPT DOCTOR
    • SCRIPT DEVELOPMENT WORKSHOPS
    • 1-2-1 PITCH CLINIC
    • 1-2-1 GET PRODUCED
    • OTHER LANGUAGES FEEDBACK >
      • FRENCH
      • HUNGARIAN
      • SPANISH
      • INDIAN & CHINESE
  • CLASSES
    • ONLINE COMEDY WRITING MASTERCLASS Jan 2021
    • WRITE THAT SCRIPT! - PART ONE
    • WRITE THAT SCRIPT! - PART TWO
  • RESOURCES
    • ONLINE CLASSROOM
    • SCREENWRITING FAQS
    • SCREENWRITING ARTICLES
    • SCRIPT FORMATS AND FREE DOWNLOADS
    • DEVELOPING YOUR SCREENWRITING CAREER
    • VOUCHERS
    • SCREENWRITING LINKS
  • COMPETITION
    • 2021
    • RULES
    • WINNERS 2020 >
      • PREVIOUS WINNERS
      • INTERVIEW WITH A WINNER
    • HOW TO WRITE A WINNING TREATMENT
  • ABOUT
    • OUR TEAM
    • DISCOUNT INFO
    • OUR PARTNERS
    • PR & SUCCESS STORIES
    • JOIN OUR MAILING LIST
    • TERMS & CONDITIONS
    • PRIVACY POLICY
    • CONTACT US
    • BLOG >
      • INTERVIEW WITH STEPHEN CURRAN
  • Product