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What puzzles most of us are the things which have been left in the movies rather than the things which have been taken out.
Agnes Repplier
 

'Challenging, enlightening and encouraging. The chance to learn in a relaxed and constructive manner.'
Nigel Osner, published author

 'Breathe life into your script. A lot packed into the one day. Good value for money.' 
Susan Fenell, screenwriter

'V good coaching.'
SB, screenwriter

'Stimulating, detailed, comprehensive. High-powered!'
Thom Osborn, director

'A freshly insightful way of looking into storytelling and structure. Looks in detail at the act structure - linear or non-linear.'
Monica Solon, beginner screenwriter 

Asked to rate the workshop for usefulness, quality of the tutor and value for money 96% said good or excellent

For more feedback from participants click here

ScreenLab: Structure For Screenwriters

Saturday 10th April 2010
10.30am-5.30pm
Tutor: Charles Harris

Do you want to understand screen structure so deeply that you can put it into practice with refinement and artistry? Every screenwriting "expert" has their opinion on structure - now learn what the professionals really do.

In this stimulating one-day workshop you will see what effective structure means in practice, how it relates to character and what it can offer a cinema feature, TV drama or series, with personal feedback to help you strengthen your work.

Places include a free full-length feature treatment and script, and are strictly limited to ensure maximum opportunities for participation and feedback.

The day

You will start with an overview of the standard "rules" of structure for film and TV, seeing how you can approach them from the "inside" of your characters to develop your personal voice and bring freshness and depth to your work. 

You will then look at other structures in common use in mainstream cinema and television as well as in independent films and hear how professional writers use them in developing different kinds of stories without losing coherence and shape.

We'll study clips from well-known movies which work powerfully and sensitively while being based on a three-act shape - and also discuss successful films which turn out to be in two acts, seven acts or even no acts (!) - working on exercises to develop your ability to use structure in powerful ways.

Throughout the workshop, you will practise using a number of very effective tools to help you create and refine the structure of your script.

We will also discuss the importance of subplots, the role of multistranded scripts (such as Crash and Babel), how to use flashback structures, and how to ensure that your writing delivers the strongest impact.

You will finish the day with a clear understanding of the structural needs of your work and how best to develop it further.

Includes
  • The "rules" of structure
  • The role of the central characters
  • Core sequences
  • Act structures in film and TV
  • Non-standard structures and how to use them
  • Different flashback structures
  • Handling subplots
  • Feedback on the structure of your own work

Charles Harris is an experienced award-winning writer-director for cinema and TV who has worked with top names in the industry from James Stewart to Spike Milligan. As script consultant, he has helped professional writers from Britain, Europe and USA, sat on BAFTA awards juries and lectured on MA courses at London University and London Film School. 

Check out his blog at http://chasharrisfootloose.wordpress.com/

When, where and how much?

VENUE
Room 251
Birkbeck College
Torrington Square
London WC1E 7HX 
click here for map

DATE
Saturday 10th April 2010
Registration: 10.15am
Workshop: 10.30am to 5.30pm
With break for lunch

PRICE
£85 (concessions £75)
On this course we are offering the concessionary rate to members of WGGB, DGGB, WIFTV, Twelvepoint and WriterNet. 

You also receive one free treatment, and one free script, from successful well-known movies, as part of the workshop. 
 

FURTHER DETAILS
click here to email
or phone: 020 7435 1330

Please note, places are strictly limited to ensure personal feedback.

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